High Speed Filming

Here is how this works in practice. We give high-speed filming packages built around Phantom and similar cinema cameras. This is backed by the operators, DIT teams and lighting crews this demanding discipline needs. High-speed work reveals motion the eye cannot see — liquid and splash, product detail, automotive action and feature stunt sequences — and Morocco gives a top canvas, from the steady desert light of the Sahara to the standing sets at Atlas Studios and CLA Studios in Ouarzazate.

Here is the layout. On the ground, our teams recommend the right balance of frame rate and resolution for each shoot, and combine high-speed cameras with robotic motion-control rigs where a sequence calls for precisely repeatable moves. Because high-speed capture creates very large files, our DIT services manage backup, org and delivery efficiently, even from remote desert locations.

Here is the short of it. High-speed filming in Morocco needs careful tech planning around the environment. The cameras need a lot more light than standard shooting, so our crews design flicker-free HMI and LED packages sized to the chosen frame rate, whether on a stage in Ouarzazate or on location in the Sahara and Atlas Mountains where power is power packs-dependent. Desert heat above 40°C and dust must be managed for sensitive camera kits and data handling. Gear imported for a production, including motion-control rigs, needs customs records. This our team arranges ahead of arrival. Foreign shoots operate through a CCM-licensed local production-services partner. With filming permits running through the CCM (Centre Cinématographique Marocain) and provincial wilaya authorities. A 30% cash rebates ready on qualifying Moroccan spend.