CGI & 3D Animation

Here is how this works in practice. We deliver CGI and 3D animation for screen projects — modelling, texturing, rigging, animation, lighting and rendering — set up with shoots in or finishing in Morocco. Our team handles digital set extensions, cars and props, animated elements and broadcast and commercial graphics, and we plan shots with the production's edit and finishing pipeline in mind.

Here is what we have to work with. On the ground, morocco's strength is physical production, locations and studios, and 3D work here most often supports that footage rather than replacing it — extending a kasbah, adding a period element, building a digital asset that integrates with material shot at Ouarzazate or Aït Benhaddou. The Casablanca and Rabat post sector has grown alongside the steady stream of global shoots the country attracts. That demand continues to build genuine 3D and animation capacity.

Here is how this works in practice. It is realistic to frame Morocco's 3D and CGI sector as a growing skill rather than a finished feature-VFX hub. Heavy visual-effects and large-scale CGI finishing for major global shoots is frequently completed at facilities abroad, while in-country teams handle modelling, animation, motion design and a rising share of shot work. The historical epics Morocco hosts — its long record from 'Gladiator' to HBO's 'Game of Thrones', filmed at Aït Benhaddou and Essaouira — create steady demand for digital environment and asset work that local 3D artists are increasingly equipped to deliver. We help global and local shoots plan and execute CGI and 3D animation that integrates cleanly with Moroccan footage, scoping each project honestly between in-country work and pro finishing elsewhere.