Streaming Platform Delivery

Here is how this works in practice. We deliver streaming-sites packages built to each service's published specs. This covers the IMF or mezzanine master, codec and colour needs, HDR and SDR versions, loudness targets, and the strict file-naming and metadata conventions sites enforce. Our team conforms the OK'd master, prepares the layered audio setup, assembles timed-text subtitle and caption files in the needed formats, and runs the tech checks that prevent a delivery from being rejected.

Here is how the picture comes together. On the ground, Streaming QC is unforgiving, and a single non-conformant element can return an entire package, so we check each deliverable against the spec before hand-off. Productions wrapping post in Morocco's expanding Casablanca and Rabat sector. Global titles finishing abroad, rely on accurate streaming delivery to reach a global audience without delay.

Here is the short of it. Streaming delivery is inherently multilingual, and Morocco's market makes that a strength. Arabic, French and English versioning is standard, dubbing and subtitling for the regional audience are routine, and sites increasingly want the full set of language assets — dubbed tracks, first-language audio, many subtitle and forced-narrative tracks — packaged and synchronised. Global shoots that shot at Ouarzazate, Aït Benhaddou or in the Sahara deliver finished films to sites specs for worldwide release, and Moroccan cinema itself reaches global streaming audiences. Maryam Touzani's Cannes-selected 'The Blue Caftan' found wide global distribution. We help producers package complete, compliant streaming deliverables, prepared to the precise tech and localisation needs each sites demands.