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Dune du Pilat - filming location in Morocco

SCENE 01 / DATA MANAGEMENT SYSTEMS

Data Management Systems

Professional DIT services and secure data management for film and TV production in Morocco.

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Here is how this works in practice. Data kit cover the hardware and workflows used to securely capture, back up, and transfer digital media on set. From on-set data stations and RAID arrays to checksum verification tools, proper data management protects irreplaceable footage across the production pipeline.

Here is the short of it. We set up reliable data management workflows with locally sourced hardware tailored to your camera formats and storage needs. Our team sets up DIT stations, backup drives, and secure transfer protocols so your production's digital assets stay covered from set to post-prod facility.

Capabilities

Complete Data Management Solutions

From on-set data wrangling to long-term archive, we provide secure, reliable data management that protects your production footage at every stage.

01

On-Set DIT

  • Data wrangling & offload
  • Checksum verification
  • Dailies transcoding
  • On-set color grading
  • Look management

Real-Time Data

02

Secure Backup

  • Triple redundancy systems
  • RAID storage arrays
  • Verified backup protocols
  • Secure transport
  • Cloud backup options

Data Security

03

Media Management

  • Footage organization
  • Metadata management
  • File naming conventions
  • Sound sync
  • Delivery preparation

Organized Media

04

Archive Services

  • LTO tape archival
  • Long-term storage
  • Retrieval services
  • Format migration
  • Asset management

Secure Archive

On Location

DIT stations and secure media workflows built for Morocco's desert shoots, from Atlas Studios in Ouarzazate to remote unit bases on the Merzouga dunes.

Here is how this works in practice. We source data running hardware from Morocco's set up gear pool around Ouarzazate and Casablanca, supplementing with pro DIT kit flown in from Europe when a production's camera package calls for it — a short logistical hop, since Casablanca is roughly three hours from major European hubs. Our team builds DIT stations sized to your shoot, configures RAID arrays and LTO archive workstations, and stages backup drives so they travel separately between the unit base and the post-prod site.

Here is what that looks like on the ground. On the ground, On location work out of Atlas Studios or CLA Studios in Ouarzazate, we set up trusted mains-powered DIT tents. On remote Saharan units near Merzouga or in the Atlas Mountains, the same workflow runs off power packs power with conditioned supply for sensitive storage hardware. Each offload is checksum-verified. We keep chain-of-custody records from the camera card through to the delivered camera-first archive.

Here is the short of it. Desert conditions drive the hard decisions in Moroccan data running. Fine sand and dust in Ouarzazate. The Sahara mean drives, card readers and DIT laptops live in sealed cases. With media handled inside enclosed tents rather than in the open. Summer temperatures above 40°C push storage hardware toward thermal limits, so we deploy active cooling and schedule heavy transcoding for the cooler hours. Cool desert nights bring condensation. This we manage with acclimatised storage and sealed transport.

Here is how the picture comes together. On the ground, For shoots claiming the CCM (Centre Cinematographique Marocain) 30% cash rebates on qualifying Moroccan spend, DIT hire from local vendors counts toward qualifying spend, and we give the itemised records in Moroccan dirham (MAD) that supports the rebates filing. Where camera originals must be in person exported, we set up with the production's customs agent so drives and archive media move under the same ATA Carnet and short-term-admission procedures cleared by Moroccan Customs (the ADII) as the rest of the camera package.

FAQ

Professional DIT Services

What DIT services do you provide?

Complete on-set DIT services including data offload and verification, backup management, dailies transcoding, on-set grading, LUT management, and media organization. We support all major cinema camera formats and integrate with your post-prod workflow.

How do you ensure data security?

Here is the breakdown. We employ triple-redundant backup systems with checksum verification at each stage. Data is stored on independent drives, never transported together, and we keep detailed chain-of-custody records. We've processed over 500TB of production data without loss.

What camera formats do you support?

We support all pro cinema formats including ARRIRAW, ProRes, RED R3D, Sony X-OCN, Blackmagic BRAW, Canon Cinema RAW, and standard broadcast formats. Our systems are configured for each production's specific camera package.

Can you provide on-set color grading?

Yes, our DIT services have on-set color management. We create show LUTs, apply dailies grades, create CDLs for post-prod, and make sure steady color representation from set through to final grade.

How do you handle multi-camera productions?

Our high-speed systems handle multi-camera shoots efficiently with parallel offload skill, automated backup workflows, and camera-specific organization. We scale DIT resources to match your production's data volume.

What about archive and delivery?

We give complete archive services including LTO tape creation, organized delivery of camera originals, and project handoff to post-prod. Archive packages have detailed metadata, shot reports, and retrieval records.

Productions in Morocco that need this often pair it with Lighting Equipment Rental, Camera Equipment Rental, and Audio Equipment Rental for full coverage. Most projects also draw on Boom Microphones and Delivery & Output Services.

On Set

Need Data Management?

Tell us about your production and we'll design a secure data workflow for your shoot.